Showing posts with label heart. Show all posts
Showing posts with label heart. Show all posts

Tuesday, March 25, 2014

TUESDAY POEM | Antarctica by Katherine Glenday

                                      



Sounding bells | 80 feet below the ice - Explorers Cove, New Harbor, Antarctica 2008
Katherine Glenday (with a little help from her friends!) Photograph by Shawn Harper



                                      ANTARCTICA

                                                  Our thoughts form us
                                                  And like the forams
                                                  And the caddis creatures
                                                  We live in our
                                                  Patterned habits

                                                  I can run with this
                                                  And do
                                                  Away from text and fact
                                                  And the common herded wayfare
                                                  Of thought and learned behaviour

                                                  It is too dense for me

                                                  I am overwhelmed already
                                                  And the truth of it
                                                  Scampers off somewhere
                                                  And snarls in the brambles
                                                  Beneath the woods
                                                  Of a forest of trees

                                                  I would rather drop my sounding bells
                                                  Below a frozen sea
                                                  And watch with my long distance heart
                                                  As my friends swim them down

                                                 To sing an angelus
                                                 On the ocean bed

                                                 Here all things are weighed
                                                 In the company of creatures
                                                 Who build their hearts on the sleeves
                                                 Of their houses.

                                                 Katherine Glenday


Katherine and I met at the age of eighteen as we embarked on a degree in Fine Arts at the University of Natal, Pietermaritzburg. Our lives have been woven together in ways mundane, mysterious and magical ever since. During our 2008 season in Explorers Cove, Antarctica, scientist Sam Bowser and I traveled with a series of porcelain forms created by ceramic artists Christina Bryer and Katherine. (You can see some of these on my new, very-much-still-under-construction, website here - scroll down to the bottom of the Antarctica page).

Katherine lives in Kalk Bay, a quaint fishing village in Cape Town (SA). Last weekend she opened the doors of her home and studio to the public for an extensive retrospective - 30 years of her exquisite porcelain work. The words 'numinous' and 'luminous' come immediately to mind. She is an artist in light, her work at once grounded in the natural world and occupying a space that's 'beyond' form. Weightless. Metaphysical. It needs to be seen to be believed --- please visit Katherine's website, prepared to be moved, awed and - yes - altered.





This week's editor on the Tuesday Poem hub is Janis Freegard
with Tuatara by Nola Borrell

Please click on the quill. 


Friday, November 19, 2010

When the heart






from A Confession - by Michael Leunig

"Once upon a time I used to be a political cartoonist. I worked for a Melbourne newspaper called Newsday but I had trouble making witty, incisive jokes.

One Saturday morning in 1969, struggling towards a deadline and trying to draw a cartoon about the Vietname war, a strange thing happened to me. In an act of merry insolence; as a small rebellion against deadlines, punchlines and politics I sidestepped my obligations and the grave topic in hand and drew what I thought was an absurd, irresponsible triviality. Tempting fate, I presented it to the editor for publication.

It showed a man riding towards the sunset on a large duck. On his head he wore a teapot. Not a 'proper' cartoon by conventional standards, quite loopy in fact, but a joyous image nevertheless.

The editor told me he didn't know what it meant but laughed, shook his head and published it. I suspect that deep down, to my good fortune, he understood.

Many years later I was able to interpret the meaning of this drawing with certitude.

The man was most definitely me and the teapot, worn like a fool's cap, symbolized warmth, nourishment and domestic familiarity. The duck represented feelings of primal freedom and playfulness; qualities sadly lacking, I thought, from the world of political commentary and critical awareness.

Innocently I had drawn my impending departure from political cartooning, my flight to freedom. In a moment of perversity and release I had drawn my liberating image.

In the wake of this drawing I at once began to express my most personal self with less embarrassment; to play with my ideas more freely; to bring warmth into my work; to focus on modest, everyday situations and nature as sources of imagery and to see my work as nourishing rather than mocking or hurtful.

I experimented my way onward with feelings of mischief and fertility and as I found my feet I began to find my symbols and characters. A small, wide-eyed creature with a huge nose evolved off the end of my nib; a naked angel; wingless, ageless, genderless; an innocent messenger-fool presenting no possible threat and therefore permitted to state any case or express any feeling shamelessly.

Years passed and Mr Curly arrived on a bicycle, a large perky curl rising frond-like from his head; drawn that way because it felt right and looked funny. But the curl turned out to be the tender, unfurling motion of nature's growth; the unfolding consciousness; the way in which the heart reaches out into the world.

And sailing over the horizon in a battered armchair came Vasco Pyjama, the brave searcher who left all that was understood and safe to circumnavigate his own world.

The job of these arrivals however was matched by the pain of sudden, unexpected departures, depressions and loss of confidence when the hand and the heart could not draw or refused to draw: errors, failures, and humiliations when everything seemed to collapse into foolishness and squalor.

And in the gloom of these interminable periods friends and comrades leaned close to whisper prayers of encouragement and comfort. Others came from behind to steal and wound and confound. It's traditional. The best drawing ink is bitter and sweet and salty.

Yet my moon always hung faithfully in the sky: constant companion, luminous and remote, gentle symbol of mystery, femininity and noctural wisdom. . . "


If you haven't yet discovered Michael Leunig and his generous blend of creative and philosophical wisdom, I am sure you will want to. . .  Continue the journey on his website - www.leunig.com.au



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When the heart
Is cut or cracked or broken
Do not clutch it
Let the wound lie open

Let the wind
From the good old sea blow in
To bathe the wound with salt
And let it sing.

Let  a stray dog lick it
Let a bird lean in the hole and sing
A simple song like a tiny bell
And let it ring


MICHAEL LEUNIG
from The Prayer Tree, HarperCollinsPublishers 1990 



Saturday, August 28, 2010

Ode to the artichoke - Pablo Neruda


I'm relieved to report that all is well with Dad. I've just this minute spoken to him in his room at London Bridge Hospital. He had a Double Chamber Pacemaker fitted this afternoon, was hungry as a herd of bulls (having had to fast pre-surgery, of course) and has been told he should be fine to go home to Kent by train (?!) on Sunday. What a remarkable world we live in... in days gone by, pacemakers didn't exist; neither did telephones or the internet with Skype and email and all the opportunities such technologies offer us for connecting up and being alongside those we love who live on the other side of the world.

One of Dad's favourite vegetables is the globe artichoke. If I could hop over to England right this minute, I'd take him a platter of steaming artichokes, a finger bowl of warm water with floating-boat wedges of bright yellow lemon and a starched white linen napkin to tuck under his chin.

Do you know this poem?

Ode To The Artichoke
The artichoke
With a tender heart
Dressed up like a warrior,
Standing at attention, it built
A small helmet
Under its scales
It remained
Unshakeable,
By its side
The crazy vegetables
Uncurled
Their tendrills and leaf-crowns,
Throbbing bulbs,
In the sub-soil
The carrot
With its red mustaches
Was sleeping,
The grapevine
Hung out to dry its branches
Through which the wine will rise,
The cabbage
Dedicated itself
To trying on skirts,
The oregano
To perfuming the world,
And the sweet
Artichoke
There in the garden,
Dressed like a warrior,
Burnished
Like a proud
Pomegrante.
And one day
Side by side
In big wicker baskets
Walking through the market
To realize their dream
The artichoke army
In formation.
Never was it so military
Like on parade.
The men
In their white shirts
Among the vegetables
Were
The Marshals
Of the artichokes
Lines in close order
Command voices,
And the bang
Of a falling box.

But
Then
Maria
Comes
With her basket
She chooses
An artichoke,
She's not afraid of it.
She examines it, she observes it
Up against the light like it was an egg,
She buys it,
She mixes it up
In her handbag
With a pair of shoes
With a cabbage head and a
Bottle
Of vinegar
Until
She enters the kitchen
And submerges it in a pot.

Thus ends
In peace
This career
Of the armed vegetable
Which is called an artichoke,
Then
Scale by scale,
We strip off
The delicacy
And eat
The peaceful mush
Of its green heart.
PABLO NERUDA


Artichoke hearts - Ink & Chinagraph pencil - CB
I've just spoken to Mum who's about to take herself off to bed (it's late in the UK and what a huge week she's had); my sister Pip's also just emailed from Cambridge to give far-flung family an update. At the end of her letter, she wrote... "PS. Jonny lost his first tooth and had a visit from the 'toosth mows' last night. He wrote the most precious letter to explain that he had swallowed the toosth my mistayk and was soree it wasn’t there for the mows’s castle. xoxox"
Thank you for your candlelight and concern - M & D said to say so, too. xxx

Thursday, August 26, 2010

Heart


Boulders-based science writer Jennifer Frazer opens doors to wonder at The Artful Amoeba.

I mentioned Jennifer and her site a week or so ago, but want to do so again because something in me wakes up and reconfigures every time I visit her blog. I so admire her work and the way she makes the glories (and sometimes the absurdities or terrors) of the natural world accessible to us; it seems to me that her care and regard for the earth is an expression of love of the highest order; no surprise then to find the word heart embedded in her blog title?

Jennifer introduces her site thus "... This is a blog about biodiversity and natural history, although I dislike that first term. I think it turns people off to the subject. It's too often used for boring platitudes about species richness that tell you nothing about what's actually out there. I'm here to work on fixing that with a healthy dose of wit, humor, and obscure sci-fi references. Think of this as MST3K version of biodiversity..."

The Artful Amoeba was recently selected as the second-best biodiversity blog by the Pimm Group.

Jennifer's most recent post features Glaucus atlanticus - 'magical bird slugs' - in an article titled A Sea Slug of fractal Beauty (Rebecca L, you will find these creatures astonishing!)...



*

It seems to me that, no matter how we look at it, everything in this remarkable life of ours comes down - or rises up - to matters of listening and of the heart. . . It can be no coincidence that the word heart carries within it hear, ear and art?

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May I ask you to please light a candle for my dear Dad who is in London Bridge hospital this week and possibly next; his heart's being monitored/listened to. . . ? Thank you. And one for Mum, always at his side. . . xo