Tuesday, April 24, 2012

Tuesday Poem - The Silence of the Stars by David Wagoner


                    THE SILENCE OF THE STARS

                     When Laurens van der Post one night
                     In the Kalahari Desert told the Bushmen
                     He couldn't hear the stars
                     Singing, they didn't believe him. They looked at him,
                     half-smiling. They examined his face
                     To see whether he was joking
                     Or deceiving them. Then two of those small men
                     Who plant nothing, who have almost
                     Nothing to hunt, who live
                     On almost nothing, and with no one
                     But themselves, led him away
                     From the crackling thorn-scrub fire
                     And stood with him under the night sky
                     And listened. One of them whispered,
                     Do you not hear them now?
                     And van der Post listened, not wanting
                     To disbelieve, but had to answer,
                     No. They walked him slowly
                     Like a sick man to the small dim
                     Circle of firelight and told him
                     They were terribly sorry,
                     And he felt even sorrier
                     For himself and blamed his ancestors
                     For their strange loss of hearing,
                     Which was his loss now. On some clear night
                     When nearby houses have turned off their visions,
                     When the traffic dwindles, when through streets
                     Are between sirens and the jets overhead
                     Are between crossings, when the wind
                     Is hanging fire in the fir trees,
                     And the long-eared owl in the neighboring grove
                     Between calls is regarding his own darkness,
                     I look at the stars again as I first did
                     To school myself in the names of constellations
                     And remember my first sense of their terrible distance,
                     I can still hear what I thought
                     At the edge of silence where the inside jokes
                     Of my heartbeat, my arterial traffic,
                     The C above high C of my inner ear, myself
                     Tunelessly humming, but now I know what they are:
                     My fair share of the music of the spheres
                     And clusters of ripening stars,
                     Of the songs from the throats of the old gods
                     Still tending ever tone-deaf creatures
                     Through their exiles in the desert.

                     David Wagoner





For more Tuesday Poems, please click on the quill. 



This week's post marks the beginning of Tuesday Poem's third year.  Zireaux is today's editor on the hub; welcome the ways in which he pushes the boundaries of what constitutes poetry. . . Zireaux has chosen a 'clip' - a conversation - between Australian TV favourites, Kath and Kim. He writes '. . . Ideas are not what poetry is about. Poetry is spoken music (some might say written music, but I'm less convinced of this, unless we equate reading with hearing, which seems a stretch)' and '. . . I can't help but feel that by isolating poetry, by assigning it to a particular habitat, we're neglecting an abundance of poetic forms -- in the deep hydrothermal vents of literature, in the ice caves, in the teeming jungles of planets beyond. . . "    
                    
". . . The deep hydrothermal vents of literature, in the ice caves, in the teeming jungles of planets beyond. . .' Ah, poetry! Thank you, Zireaux
   


Tuesday, April 17, 2012

Tuesday Poem - The Poets' Birthday - TP Collective



THE POETS' BIRTHDAY

The shyest sparrow's supplications in the early evening trees
are a careful arpeggio - each note liberates a flotilla of leaves
fleeting, indeed, left scattered as archipelago in a dew-grass 
sea.  
The song's begun: feathered entreaties lift from every hedgerow, every
field, join in one great arc of beak and wing and downy plume --
brief benediction for the worker trudging home, a heart-lifted pause
at day's end. Summer's pages fall. Leaf by leaf, they shorten days,
strip bare the trunks, spill forth a concertina of split, sagging plums,
crimson globes -- Demeter's heart strung low against the blue note 
sky. Furrowed fields lie flat beneath the tramp of corn-fed feet.

The scene is set, two candles lit, another year opens a window 
through which we pass in streak of silver, burst of wheels' screech, breath
of horns' bright blasting. Inside, the chink of glass against china,
bubble of laughter tossed from one guest to the next draws us
to its warmth, the blissful promise of shared experience, swells
the soul's bright plumage. A winking flame copies itself on the clean
slope of the knife before it passes. The reflection flickers: and beyond 
the window frame, a final guest hesitates in mauve-hued shadow, ghost 
of Keats maybe, listening still, reticent, reluctant to eschew 
autumn's arias or chorus. And hear now, along the bay, 

the pulse of song ticks out again in joyous iteration, a boy kicks 
a ball against a wall, a sole finch adds bebop syncopation. Gabble, 
and its consistency of warm honey dampen the tenor, the tune -- best
left out in the tang of sharpened daylight. Shadows unwilling to retreat
stand shoulder-to-shoulder and beat the day's thrum chanting come, cold,
come, dark, come firelight, we too have our part. Gladly, watch effulgence fade,
into this gentler glow of murmured crackle and spark-fed thoughts. Each year
is gathered and falls away in a clap of digits, up from nothing to where
we find ourselves surrounded. It's come to this: the riffle of breath, the winking
flame. One is out, then the other. Stay with us, poet, it's time to start over.  



A global birthday poem written line by line by 26 poets from six countries and 12 cities over two weeks - from Tuesday April 3 to April 17 2012 - in celebration of Tuesday Poem's second birthday. 

The Tuesday Poets are (in order of their lines): Melissa Green, Claire Beynon, Saradha Koirala, Janis Freegard, T. Clear, Catherine Bateson, Renee Liang, Elizabeth Welsh, Alicia Ponder, Tim Jones, Kathleen Jones, Helen McKinlay, Helen Lowe, Eileen Moeller, Orchid Tierney, Susan T. Landry, Keith Westwater, Belinda Hollyer, Harvey Molloy, Bernadette Keating, Andrew M. Bell, Michelle Elvy, Catherine Fitchett, P.S. Cottier, Helen Rickerby, Mary McCallum.

Unable to post this year: Sarah Jane Barnett, Robert Sullivan, Zireaux, Emma McCleary 

                                            Editor: Mary McCallum, TP co-curator


This synopsis of the poem's process from Mary McCallum. . . "Tuesday Poem is two years old, and The Poets' Birthday is a magnificent way to celebrate. It kicked off on April 3 with a line from Boston poet Melissa Green and has been criss-crossing the globe ever since like a digital marathon, with all the adrenalin and excitement you can imagine it generating. 

The posts were twice a day, usually around 8 am and 6 pm NZ Time. As soon as a poet had logged into the TP blog and posted a line, s/he emailed the next poet on the roster to pass on the baton. 

I love this image of the Tuesday Poet hard at work, it comes from our own Susan Landry in Maine: '... sitting in her bathrobe in Maine, hair sticking out in nine different directions, coffee cup rings marking her desktop...' There is something very familiar about this.

Claire Beynon contributed the poem's second line from Ibiza, Spain, ten hours after Melissa Green posted, and Saradha Koirala from Wellington, New Zealand, came up with the third. And on it went.  We passed the baton around the world from Dunedin to London to Canberra to somewhere in Italy to Seattle to Auckland to Maine and many other places besides. And look what came out! A poem about song and celebration, light and company. 

Mary was quoted on Beattie's book blog last week as saying: 'It's an exciting process watching the lines go up one by one - seeing the thinking behind each line: the language, the line-breaks, where it's left for the next poet to pick it up. It's like watching one poetic mind at work with each poet acting like one of the many competing voices that a poet hears as s/he writes: 'break the line there' 'no don't' 'rhyme it' 'don't you dare' 'how about plums to echo plume?' 'what are you thinking?' and so on.'

We are once more delighted to raise a glass to our remarkable bunch of poets and devoted blog readers who come together in this place once a week to enjoy and celebrate poetry. We are a community built on trust, generosity, flexibility and a mutual obsession -- and long may it last. 

Happy Birthday! Ra whanau ki a korua!"




Please join our celebrating poets - click on the quill to visit our Tuesday Poem hub and from there be transported to each of the poet's blogs. . . 





Tuesday, April 10, 2012

Tuesday Poem - Setting The Record Straight



                             SETTING THE RECORD STRAIGHT 


The stations of the cross
should number seventeen
not two times seven; three extra
added onto the Resurrection scene
would lend courage to generations
of grieving mothers. 

The story should not end 
with Jesus coming back to Life 
from Death only to be taken 
again, stolen by angels 
right before his Mother’s eyes.

What of Mary 
after the Ascension?

Mary should be shown
pacing stone floors with rage
and longing, walking desert dunes
on bare, blistered feet, twisting
silk into countless useless knots,
embroidering her loss
into the spines of chairs.

Yes, Mary should be seen,
lying awake at night, wondering
about God and Gabriel,
not praying but waiting,
waiting for the simplicity
of sleep, for her wordless
sorrow to rise.

CB






This week sees our Tuesday Poem community continuing the magical process of creating a collective birthday poem. Please click on the quill - you won't want to miss its unfolding. . .  





This is where I spent the closing hours of Easter Sunday - Es Vedras, Ibiza. . . . . .  






_/\_



Thursday, April 05, 2012

Homesick Waters





Zara Neale Hurston* - Santa Eulalia, Ibiza

I came across these words etched into a glass door on a little-used side entrance to the conference centre; easy to miss as the words appear and disappear according to the time of day and the angle of the sun's light.

My days here have been full-on. . . high on the stimulation side, with a rush of input and accompanying call to solitude for rest and processing in between. The programme comprises lectures, all-day workshops and fine, engaging company. . . forget about getting any (outward, at least) preparation done for the paper I'm preparing for Phoenix. Something's incubating, that much I know. I walk home contentedly from the conference venue each evening accompanied by the soft-edged moon (she'll be full this Friday), the welcome smell of warmed citrus and the island's stone. I'm good for nothing but sleep by the time I get back to my apartment.

This week's Tuesday Poem is just about ready to post (dedicated-if-slack co-curator that I am - and this is our birthday week ; ( ) and will follow this one. Meantime, I'm just wanting to put a hand out and say howdy. One thing I do do each morning is read your blogs while I have my breakfast. . . There are some rhythms one simply must uphold!  


Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American folkloristanthropologist, and author during the time of the Harlem Renaissance. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel Their Eyes Were Watching God. (Thank you, Google. . . ) 


Drain cover - Santa Eulalia sidewalk





Wednesday, March 28, 2012

Gracias



    Barcelona




It has taken two days to get here. When it comes to travel, New Zealand really is on the other side of the globe! A long journey at the best of times, this one ended up being quite a bit longer. Ten minutes prior to landing in Frankfurt we learned that Lufthansa's ground staff were on strike and as a result all connecting flights with that airline had been cancelled indefinitely. I was fortunate to be offered seats on two Swiss Air flights later than morning - the delay meant 'losing' a day in Barcelona but had I not been re-routed, I might have missed out on Barcelona altogether. 


Always amazed that airports work as well as they do, I was nevertheless not surprised to find that my re-routed suitcase hadn't been able to keep up once my itinerary had been changed. It went missing somewhere between Frankfurt, Zurich and here but will likely turn up before I leave for Ibiza first thing on Friday morning. Meantime, I'm enjoying traveling light, and let me tell you it's a whole lot easier making one's way across a city with a handbag (whose modest stomach holds my travel docs, a hairbrush, pencil, journal, glasses and lippy) and one small, lighter-than-usual piece of hand luggage (containing laptop, camera and a handful of books). I took a bus from the airport to Plaza Catalunya where - a little whelmed from lack of sleep and the excitement of being here - I spent about twelve dilly minutes scampering up and down escalators in a huge family-style department store searching for a replacement toothbrush and t'paste, knickers, plain white singlet and shampoo. . . What more would I need? (And what on earth had I packed into my missing 20 kg suitcase? We make such pack-horses of ourselves, don't we, wandering about with our weight on our backs.)






These pics show the view from the bedroom in the apartment I'm staying in. . . How curious to cross miles of ocean and land to visit an ostensibly foreign place only to discover on arrival that everything has a ring of the familiar about it. Everything. The apartment. The language. The city smells. The stone lions and metal minotaurs. The full-throated, unselfconscious sidewalk conversations. The different timbre of this city's laughter - which makes me wonder. . . Is the colour and texture of our laughter and our tears affected by the language we speak? Does sound inhabits our body in language-tinted ways? (I'm curious to hear what you think?). 


Unashamedly wanton when it comes to weathered surfaces, I love this city's muddle; its brickwork and cracking plaster, expressive wrought-iron balustrades and soft, loaf-shaped roofs (tomorrow, Gaudi will render me speechless, I know it). . . 





And then there's beautiful, gracious Marta - a writer, colour therapist, architect and sacred geometrician - who has welcomed me into her home; complete strangers only till the moment of our meeting. Can lives and lifetimes converge in a split second? Neither of us speaks the other's language and yet last night's conversation could not have held more, nor been any richer. Something's afoot (when is something not, I wonder?). It's the middle of the night and the neighbourhood's asleep. How good it is to see Northern hemisphere stars through my bedroom shutters; they seem plucking distance away. Light sentries of the night, I like to think they are keeping watch, minding their own business, yes - and ours, too - high above the clay-tiles, the Jacob's ladder scaffold of chimneys, television aerials and tilting satellite dishes. 

Right here, right now, I am indescribably happy.


Tuesday, March 27, 2012

Tuesday Poem - Fire by Melissa Green


Following on from last week's Water, Melissa's Fire. . . (thank you for permission to post these here, M - and, in time, your Earth and Air, too.) -


                      v Fire

                      Father, I'm dizzy in shimmering August, rising new
                      As summer's mistress from a field of corn. She now
                      Is married to the heat-swept grain. Her ripening breast
                      Is a thicket, bright with blood-berries, her body dressed
                      In flame. The red god of the salamander sandals her foot,
                      A monarch touches her lip, her coppery hands fit
                      Petals in a chain. She knows she has chosen to burn
                      At noon, as nature intends. The thrust maize, unborn,
                      Has made her heavy and drugged as a bee. A tawny wood-
                      Dove sleepily croons what her tongue cannot: the subtle wound
                      That too much plenty makes. She doesn't know that winter
                      Ravages, that grief and habitual wind will tint her
                      Skin and break the tender stalk of her body. She stands
                      Impaled by arrows of afternoon light until thunder stuns
                      Her - she slips like smoke into shade, behind the burning stones.


                      Melissa Green 
                      from The Squanicook Eclogues - pg 15. (W.W Norton & Company, Inc., 1987)


   





For more Tuesday Poems please click on the quill -


This week's editor is NZ N. Island poet Renee Laing with the poem Gaudeamus Igitur
by John Stone. 




***


I typed up Melissa's poem on the plane between Dunedin and Christchurch, scheduling it to post while I'm in the air between Singapore and Frankfurt. I am en-route to Spain, will have three days in Barcelona (Gaudi - at last) before crossing the sea to Santa Eulalia Des Rui, a small village on the island of Ibiza (one of the Baleriacs). For the first time ever, I've felt a wee bit nervous about traveling alone - probably because I don't speak a word of Catalan or Spanish and I don't expect my years of Latin are likely to help one bit. . . I'll be fine once I'm there, I'm sure. It makes me appreciate my children's intrepidness (is there such a word?) when it comes to foreign travel. My daughter has been giving me lots of encouragements. So begins another chapter of what will inevitably be a significant and altering time. . . 

Books I have in my hand luggage? Mr g by Alan Lightman.  Also his book of essays titled A Sense of The Mysterious - Science And The Human Spirit, Finuala Dowling's Homemaking For The Down At Heart (a wonderfully eclectic and eccentric cast of characters - i.e the title is, I think, misleading as the book is not nearly as domestic as it suggests; it's set in Kalk Bay, Cape Town, the fishing village I spent a chunk of time in when I returned to SA over Christmas) and the Rough Guide to Barcelona. 

More from me once I've landed. . .  

PS. John B - I am playing with a post on Venus and the traps. . . ; )



Tuesday, March 20, 2012

Tuesday Poem - Water by Melissa Green

                  
                 v Water

                  Father, I'm drowsy in April's humming sun and think
                  A girl the color of Autumn kneels at the Squanicook's bank,
                  Who is the river's daughter, dressed in driven skins,
                  Who knows a cedar wind at Nissequassick brings
                  The schools of alewife, herring, yellow perch ashore.
                  The place of Salmon roars with light. She steps, sure-
                  Footed onto stone; lithe as a poplar, bends over
                  The water. Wren feathers, shells, seven quills quiver
                  In her sable hair. Her eyes, a spring-fed stream, 
                  Like silica, seek bottom. Deep in her mossy brain,
                  The white-tailed mouse is born. She carries in her supple
                  Body all of spring - a tree frog in the apple,
                  A kit fox dozing in the brush, a brash otter
                  Diving her river-veins - the new, young, utterly
                  Green morning beads her skin. How simply she leans
                  Into understanding, baptized by light and the delicate lines
                  Of shadow from cedar. A goldfinch has flown its ribbed nest,
                  Dusting her cheek with its wing, a hummingbird throbs in her wrist, 
                  She is drenched in waking. Wonder, a long-legged doe,
                  Drinks in deeply, as all instinctive creatures do, 
                  And laughs, leaping the current, printing the field with dew. 


                  Melissa Green 
                     from The Squanicook Eclogues - pg 15. (W.W Norton & Company, Inc., 1987)





Melissa Green - whose 'vision is wonderbursts of wordstruts, inveterately inner, complex and subtle'* - is well-known within our community and beyond. The first time I read The Squanicook Eclogues, I cried. Noisily. Full-heartedly. Aghast at her exquisite, authoritative, passionate command of language, I audaciously imagined I might one day create a suite of paintings in response to these four poems. I made a start with an image-homage to 'v Fire'. 

Amy Clampitt endorsed Melissa's first collection with these words, "Melissa Green is a born, a natural poet, with whose work I've felt a quick affinity, along with an astonished admiration. Who could have supposed that Wilfred Owen would find such a disciple? It is an index of her originality that beginning with his strict and demanding consonances, she has gone her own gravely, sonorously engrossing way, and done so with such winning assurance." Melissa is one of our Tuesday Poets; the poem she posted on her blog today Statue of a Couple by Czesław Miłosz seems to me an echo of her Water. . . 

*Richard Eberhart




For more Tuesday Poems, please click on the quill. 
This week's editor is Seattle poet, Therese Clear. She has chosen the poem Talking Mean by Paul Hunter




Thursday, March 08, 2012

Flight Time


A community of intricately-carved wooden angels fly close to the ceiling in the entrance-way to my friend Katherine's house in Kalk Bay, Cape Town. Katherine's house is home to many angels - these here, and others besides. . .  Are not each and every of us surrounded by these 'custodians of the spirit'? Now more than ever, I like to think so.





For some reason this vid. insists on being here in this teeny-tiny format (not sure why this is).
To view it on a regular scale, I invite you to visit my Vimeo page. 












Thank you, Katherine



And a deep bow of love and respect to women everywhere this International Women's Day.



Tuesday, March 06, 2012

Tuesday Poem - Surprising The Quarry by Kay Mackenzie-Cooke





                 SURPRISING THE QUARRY
          
                 The joints of this house click - still sending signals -
                 where Hicks* sent the first message in morse
                 across the harbour, an ordinary afternoon closes in.

                 We are here to find inspiration wherever  
                 - the bath-tub that stands, feet apart,
                 or the toilet window Harbour Cone peers into.

                 Claire’s stacked paintings against the walls;
                 inside-out windows. The house knows
                 only what it once contained. White butterflies

                 twirl in four p.m. light. What can we add?
                 That here today the moment is still being born;
                 birds silenced by the flick of a switch-blade claw;

                 hills unmoved even as oar-shaped clouds row 
                 in an easterly direction. All expressed with weapons
                 of our own choosing - lead or pastel. Time will always

                 claim its quarry; a favourite singer’s voice
                 forced to travel through a smoke-damaged throat
                 is a de-capitated voice. But great for singing the blues.


                 Kay Mackenzie-Cooke


A couple of times a year, I get together with three women friends - Kay, Martha and Penelope (dedicated director of Rosa Mira Books and creator of The Most Unique PR-family In The World - Ratty, Lily The Pink, Isgar and Daisychord) - to workshop poems. We rotate houses (so to speak). Kay wrote Surprising the Quarry one afternoon we'd gathered at 22. She read it aloud to us in the moment; a poem with still-damp wings, it arrived pretty much fully-formed. I love the details she picked up on; the new slant on old things I've grown accustomed to. . . I especially love the opening line 'the joints of this old house click - still sending signals' (they do) and 'What can we add? That today the moment is still being born. . .' Oh, and too, the 'hills unmoved even as oar-shaped clouds row in an easterly direction.'


Kay is a much-loved and -respected Dunedin poet and warm-hearted friend. She identifies deeply with our South Island landscapes (I believe our rivers run in her veins). Kay has published two collections - Made For Weather and Feeding The Dogs. Her third book, Born To A Red-Headed Woman (also the title of her blog) is due out soon. 


*

The joints of my house - no. 22 (built in 1880) - really do click. Like every good man and woman, she has weathered much over the years; there are several chapters to her story. It turns out Kay's poem was prescient. Since returning from South Africa a few weeks ago, I have noticed cracks and signs of stress that were not there before I went away in early December. Two builder friends suggest she's showing signs of earthquake fatigue. . . not uncommon, apparently, even down here, 380 kms South of our sister city, Christchurch. I've been advised to lodge a claim with the Earthquake Commission (which I have done); the next step is to organize an independent assessment from a structural engineer. I'm not sure yet what the implications are. One step at a time. I am humbled all over again by all that our Christchurch friends have endured since September 2010. 


Every time something 'happens' to my house - structurally, esp., - I contemplate its symbolic, metaphoric meaning. Was it Jung who first referred to our psyche as 'a house of many rooms' (I'm paraphrasing)? Jung aside, I have long been interested in the correspondence/correlation between the things that manifest - often simultaneously - in our outer and inner worlds. . . The stories our house/our bodies tell us seem to me parts of the same thing; each has the potential to reveal hidden flaws and fractures, necessary truths? Suffice to say, I am paying attention. 


Staying with my house a moment. She (22 is def. female) was significantly damaged during a bizarre thunderstorm in Dunedin in February 2005. At the time - my personal foundations shaken - I was in the process of separating out from my husband of 19 years. Waterfalls gushed through the roof and into every room. Walls had to be stripped back, relined, re-plastered, repainted. An entire outbuilding collapsed, taking with it my laundry and loo (22 had an outside bathroom in earlier days). One wing had to be completely rebuilt. The crisis gave birth to my beautiful studio - it was as though the house was taking things into her own hands and insisting on this - inviting me to take my place fully in a whole new chapter.  


In honour of this transformative process, I left a wall in my passage 'exposed'. I like the idea of the house wearing this aspect of her history 'on her sleeve' and refer to this as her 'dreaming wall'. In the ensuing years, the wall has become a notebook/sketch pad/ideas board/telephone directory and visitor's 'book'. On my fiftieth birthday, Kay transcribed Surprising the Quarry onto the wall (see pic above). She made me chuckle last night, in her email saying 'yes' to my posting her poem here today. Her response to my telling her about 22's latest malady was this - 'Sorry the old girl is needing hip replacements ... hope it all goes well and is a stress-free process for you guys.


*


This is turning into a much longer post than I'd intended. I must be distractible (am supposed to be working on a talk for Thursday - International Women's Day - isn't that the way?!).  


* To add an interesting bit of background to Kay's poems and the house, 'clicks' rhymes with Hicks. . .(Clever Kay ; )). Stanton Hicks lived with his family at 22 in the early years of last century. The photograph below shows him and his friends sitting on the front steps on the harbour side of the house. 


An excerpt from our then-local newspaper, The Witness - "The first concrete evidence of transmitting and receiving Morse messages occurred on September 10, 1908, when two Otago Boys High School pupils, Stanton Hicks and Rawson Stark, sent messages across Otago Harbour between their homes in Ravensbourne and Andersons Bay. . . The Witness reported: "About two years ago the three boys seriously set about the equipment of a wireless station each, but although the conception was somewhat ambitious for boys of 14 and 15 years of age, their equipments were extremely modest comprising one or two small induction coils and battery cells of feeble power.

"Pocket money being scarce, their ingenuity found vent in unexpected directions. Discarded material and scrap heaps of various workshops in the city were laid under generous tribute. They were indeed like starlings at nesting time, and their school teachers can tell of weirdly distorted pockets and bulging school bags, as odds and ends were being collected and smuggled to safety, until the boys were free from lessons, when they would rush to their respective homes and toil away industriously."  (Continue reading this story here )



Cyril Brandon (17), pictured left, Rawson Stark (17), centre, and Stanton Hicks (16) are shown (on the steps of the Hick's Ravensbourne home) in an Otago Witness photograph with one of their wireless stations.





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This week's editor on the TP hub is UK-based Kiwi writer Belinda Hollyer with the poem Five Quartets by Australian John Tranter






PS. Tuesday Poem stats as at 4 March 2012